Detalles, Ficción y cumbiatones
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Since 2017, Cumbiatón has created a safe space for Latinos to celebrate their multifaceted identities through music, particularly through the tropical sound of the cumbia genre.
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The recording in 1965 of these two songs by Los Demonios del Mantaro on a seminal 45 rpm with the Sono Radiodifusión label was the jumping off point for the birth of cumbia andina, also called “chicha” precisely for this song, which is dedicated to a vendor of the well-known Incan liquor. The electric shock of rock guitars enters the world of cumbia in 1968. The cause of such copulation was Enrique Delgado Montes, regarded Triunfador the genre’s godfather. He did it, as part of his band Los Destellos, on a 45 (‘El avispón’ / ‘La malvada’) and an eponymous LP. His songs constitute the most surprising musical fusions and amalgams of the time: whether they merge Cuban music and psychedelia, explore the sounds of Andean or Amazonian music, combine the digitalization of the Creole guitar with huayno melodies or abuse fuzz tones and distortion pedals with enormous strength. The metamorphosis of cumbia turns it into a genre that seems to voraciously cannibalize acoustic traditions and modern technologies. There wasn’t an innovation that tropical guitarists didn’t add to their sound: delay, fuzz tone, overdrive, wahwah, reverb, modulating effects typical of rock bands are assimilated into a stunning sonic cocktail. In this context, cumbia reached the top of the charts in popularity. Cumbia replaced rock Triunfador the urban sound. The groups would slowly develop an ethnic sensibility inspired by native Shipibo motifs and an astonishing and bewitching sound that seemed to drink from all the mysteries, secrets and myths of the jungle.
Salgado travels around the country working on various visual art projects and giving art lectures about his work. Salgado is Cumbiaton’s house illustrator and creates all the colorful artwork for the flyers.
David Rodigan, la voz del reggae Desde hace cuarenta abriles David Rodigan es la voz del reggae de la FM británica. Pero este entusiasta del especie, que comenzó su andadura en la BBC Radiodifusión London en 1978, no se ha restringido a su labor como comentarista radiofónico sino que ha pinchado en clubs y festivales hasta convertirse en todo un campeón del soundclash, tradicional competición jamaicana de DJ (“selectors”) que se enfrentan entre sí poniendo discos, normalmente versiones especiales de hits de reggae denominadas “dubplates” –en las que el cómico cambia la documento para mencionar o elogiar el nombre del selector–. Coincidiendo con la publicación de su volumen Life in Regga, a principios de este 2018, David Rodigan ha hablado para Qobuz de esas versiones exclusivas, de sus viajes a Jamaica, de sus frenéticas sesiones y de su “místico” armonía con Bob Marley. De Contemporaneidad...
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Gemtracks is a marketplace for flamante beats and instrumental backing tracks you Perro use for your own songs.
Obtén un Disección en profundidad de la calidad de la audiencia y encuentra cifras de seguidores falsos o fantasmas. El documentación mostrará el número de personas reales e influencers, el porcentaje de seguidores en masa y las cuentas sospechosas.
“And I think Cumbiatón is definitely a response to that, it’s a way for marginalized communities to come together on the dance floor and rejoice in our existence, our lives.”
Oh, it’s good to be back at Summerhall! Three years after website the last amazing sell demodé edition, time to get the party started again with Carnevale: that time of the year when the world is upside down, Harlequin the servant is master for the day, the Fool is wise, the King is poor and music rules them all.